Below are the Sprocktastic 2020 competition entries so far! Dust off your best sprocket-making camera and join the fun before 15 October 2020.

Read the rules for the competition and details on how to enter. Remember to keep listening to Matt Loves Cameras for more updates!

Sherry Christensen

Sherry sends these lovely sprocket images in from Alberta, Canada! Taken on her Sprocket Rocket with Fuji 400 film.

George Griffin

All shot on the classic Lomography Sprocket Rocket, the film was Kodak Gold 200. The London eye is a well known landmark in the centre of London and always worth photographing and if you every get the chance to ride it, great views over London. Enyford Village is a Village in Kent, will a ruined castle, Tudor building and a humpback bridge, with a ford, very picturesque British village. The sculpture is the latest to appear in Trafalgar Square, and I have know idea what it represents but I do like it. I think my favourite is the one of just the pods of the eye, I think it works well within the sprockets.

Ken Tuomi

Booth to CONTROL and On the Hard (first two images) – Rolleicord V with Fuji Super 200. Other two, Lomo Sprocket Rocket with Lomo Metropolis. Sloopkets is cinematic in perspective and a fan favorite, SproVolvokets has features reflecting the contest theme (film sprockets, sprockets mimicked in the vintage Volvos seen thru the 120 Wagon’s windows, plus the wheel spokes- trifecta!), On the Hard is apocalyptic and the guys working on the boat were more than happy to see an antique camera shooting their work BUT, would you believe….Booth to CONTROL is a most sprocktastic use of sprockets.

Andrew Spencer

Hi Matt I loved the Sprocket Challenge. I have a couple of personal projects on the go, and this worked in nicely with them. The ocean is a significant part of our lives where I live at Kaikoura, and I wanted to show this with some key subjects;

  • The Old Wharf was pioneering Kaikoura’s link with the world.
  • The old aquarium was a fish factory, soon to be demolished.
  • Aoraki is a whale-watching boat, whale watching being an essential part of our economy.
  • The Fergie tractor is a typical boat launching tractor for recreational fishing.

I shot the pictures with my Mamiya RZ67 ProII using Lomography 400. Pictures are hard-earned; The 35 cartridge is mounted in the magazine using adapters and I tape a 120 paper leader to the 35 film so I can sneak a couple of pictures onto the film before the magazine registers number 1. This involves a shuffle of using Multi setting to shoot the picture and Single setting to advance the film. Once you reach frame 1 on the counter you’re away. I use a 220 back as it counts all the frames so I kind of know where I’m up to.

I use a 65mm lens as it equates to my favourite focal length of around 30mm. Unloading needs to be done in the dark, undoing the back and spooling the film back into the reel for developing which I did in a Lab Box with Cinestill Cs41. Scanning is with a Canon EOSR mounted on a homemade copystand, with lightbox and Lomography Digitalisa holder. Two shots are required for the pano film capture to use the camera sensor fully, the two Raw files then head over to my MacPro and are stitched in PTGui and then processed using FilmLab App. A little retouch spotting and a slight contrast adjustment for output. I enjoy the colour random-ness of Lomo 400 in my world where colour always needs to be correct. Thanks for the inspiring fun! Andrew

Tom Napier

Hi Matt. Thanks for providing the motivation to do this little project. I have a sprocket rocket and a Holga. But noooo thats too easy, I had to go the guts and try something new (to me). This camera has been sitting on my shelf for years waiting for just the right opportunity to shine once again. Camera: Kodak Brownie 127. Film: Kodak Vision 3 500T hand rolled on 127 spool with 127 backing paper. Dev: by me with Unicolor C41 Powder kit and scanned on an Epson V550. The remjet wasn’t a problem with a pre-soak in water @39c and a table spoon of bi-carb. Not bad shots for a c1950 plastic box with a plastic lens. Also my first attempt at hand rolling film hence the slight slope to some of the images but hay, it is what it is. All shots were taken in my local area on the BEST side, i mean the north side of Brisbane. My favourite shot would have to be the glamor shot in the Vinnies window. The orange colouring along the edged of some shots could be light leaks but I suspect it was from the Epson V550 scanner. Anyhoo thanks once more for the chance to experiment and at least, enjoy a day out and about. Regards. Tom

Paul Wheeler

All images were shot on the Monaro Plains at the foot of the Snowy Mountains in NSW using a Fuji GSW690III 6×9 Medium Format camera with a fixed Fujinon 65mm f5.6 lens. Film stock is 35mm Kodak Colourplus 200, re-rolled onto a 120 spool complete with the backing paper. The negative size ends up being 35 x 67mm which is a beautiful big panoramic photograph encapsulating the sprocket holes. By re-rolling the film rather than using adapters or any of the other methods I can load and shoot the film exactly as if it were 120 without having to worry about frame spacing, spooling from one canister to another, losing shots at the end of the roll etc.

Francois Laverdure

Here are the pictures for the Schprocktastic Challenge (Yes, I did write this wrong simply because I thought it was funnier ­čśü). I wanted to stand out from the crowd a bit on this one. I figured you would get plenty of Sprocket Rocket panos so I opted to use something a bit more rare: the BlackBird Fly. For those not in the know, it’s a 35mm TLR that exposes the film vertically. I took it to a local skatepark, that’s when I realized it was the wrong camera for the job. Have you ever tried to capture a fast moving subject with a waist level viewfinder that flips the image left to right? That was definitely a challenge. I’m really proud of the shot of the kid on a scooter I took there. Even the shadow is perfect. For the one with the chain, I had to dance around a field covered in raccoon poop… I never knew they could produce so much doo-doo! So here are my best four. They were all taken in my home town. All shot using the BlackBird Fly (orange version) on Foma 400 dunked in Rodinal.

Sandra Camacho

I used Lomography’s Sprocket Rocket for these images, for the B&W I was trying Ilford XP2 Super, the colour film was some random expired 200iso I found online. I really like how the vignetting ended up framing the moving fishes. I think that is my favourite. The goggly eyes on the trees was just one of those strange happenstances. I was walking along one of the main avenues in Lisbon and found them staring at pedestrians while we waited for the light to turn on a crosswalk.