Listen along as Roxanna Angles and Matt Murray judge the Sprocktastic 2020 competition entries!
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Sherry sends these lovely sprocket images in from Alberta, Canada! Taken on her Sprocket Rocket with Fuji 400 film.
Hi Matt I loved the Sprocket Challenge. I have a couple of personal projects on the go, and this worked in nicely with them. The ocean is a significant part of our lives where I live at Kaikoura, and I wanted to show this with some key subjects;
- The Old Wharf was pioneering Kaikoura’s link with the world.
- The old aquarium was a fish factory, soon to be demolished.
- Aoraki is a whale-watching boat, whale watching being an essential part of our economy.
- The Fergie tractor is a typical boat launching tractor for recreational fishing.
I shot the pictures with my Mamiya RZ67 ProII using Lomography 400. Pictures are hard-earned; The 35 cartridge is mounted in the magazine using adapters and I tape a 120 paper leader to the 35 film so I can sneak a couple of pictures onto the film before the magazine registers number 1. This involves a shuffle of using Multi setting to shoot the picture and Single setting to advance the film. Once you reach frame 1 on the counter you’re away. I use a 220 back as it counts all the frames so I kind of know where I’m up to.
I use a 65mm lens as it equates to my favourite focal length of around 30mm. Unloading needs to be done in the dark, undoing the back and spooling the film back into the reel for developing which I did in a Lab Box with Cinestill Cs41. Scanning is with a Canon EOSR mounted on a homemade copystand, with lightbox and Lomography Digitalisa holder. Two shots are required for the pano film capture to use the camera sensor fully, the two Raw files then head over to my MacPro and are stitched in PTGui and then processed using FilmLab App. A little retouch spotting and a slight contrast adjustment for output. I enjoy the colour random-ness of Lomo 400 in my world where colour always needs to be correct. Thanks for the inspiring fun! Andrew
Here are the pictures for the Schprocktastic Challenge (Yes, I did write this wrong simply because I thought it was funnier 😁). I wanted to stand out from the crowd a bit on this one. I figured you would get plenty of Sprocket Rocket panos so I opted to use something a bit more rare: the BlackBird Fly. For those not in the know, it’s a 35mm TLR that exposes the film vertically. I took it to a local skatepark, that’s when I realized it was the wrong camera for the job. Have you ever tried to capture a fast moving subject with a waist level viewfinder that flips the image left to right? That was definitely a challenge. I’m really proud of the shot of the kid on a scooter I took there. Even the shadow is perfect. For the one with the chain, I had to dance around a field covered in raccoon poop… I never knew they could produce so much doo-doo! So here are my best four. They were all taken in my home town. All shot using the BlackBird Fly (orange version) on Foma 400 dunked in Rodinal.
I used Lomography’s Sprocket Rocket for these images, for the B&W I was trying Ilford XP2 Super, the colour film was some random expired 200iso I found online. I really like how the vignetting ended up framing the moving fishes. I think that is my favourite. The goggly eyes on the trees was just one of those strange happenstances. I was walking along one of the main avenues in Lisbon and found them staring at pedestrians while we waited for the light to turn on a crosswalk.
I used the Lomography Sprocket Rocket, a simple toy camera which I have come to love. Ilford HP5+ was the film of choice, developed in FPP D96 for 9 minutes, followed by a water stop bath and finished off with Ilford Rapid Fixer before being scanned with the Epson V550. My favourite of these images might just be “Oh, Deer”, featuring the downtown Columbus, Ohio skyline and a bronze deer sculpture by Santa Fe artist Terry Allen – I like the whimsy of it and the fact that it’s different than my usual fare. “The Ridges” was taken at an abandoned psychiatric facility on the campus of Ohio University in Athens, Ohio. “The Mighty Hocking” proved to be a little too mighty, as it flooded the Athens region several times, leading the U.S. Army Corps of Engineers to re-route the river in the late 1960s and early 1970s. “Drive” features the view just outside the Tall Pines Area of Walnut Woods MetroPark in Groveport, Ohio.
I used ORWO DN21 (same as Lomography Kino Babylon 13 only much cheaper on a bulk roll), shot in a 1950s vintage Wirgin Auta 4.5, 6×9 folding camera, Schneider-Kreuznach Radionar 105mm f/4.5, with 35mm to 120 adapter set. Film was processed in replenished Xtol stock for 7:00 (corrected for temperature). The film has a little light leakage from a bulk loader accident. I like the Abandoned Siding best — it’s got the “far from anywhere” vibe that goes with slow B&W film adapted into a 70 year old camera.
G’day Matt, I’m pretty new to shooting sprockets. I have always liked the look of exposed sprocket holes. I recently bought some 35 to 120 adapters so that I could shoot x-pan like panoramic photos with my Mamiya RB67. The ability to shoot sprockets was a nice bonus. My submissions are from a single roll of Ilford Delta 100. These were taken about an hour south of my home in central Florida. Its an area I occasionally pass through while working and have wanted to photograph for a while. I processed the film with my usual developer – HC-110 (B). Some adjustments done in Adobe Lightroom.
Hi Matt! My pics are made with a bright blue Lomography Sprocket Rocket. I received one for Christmas from my son 4 years ago and it really has become my cure for times when I’m bored with photography. I typically use Kodak Pro Image 100, or Fuji 200 and for long night exposures my cable release is a paper clip and a rubber band. The artist studio is probably my favorite image, though certainly not the best. I was volunteered to help frame some paintings for an artist who had become quite sick. His studio was just as he’d left it when he was finishing his last painting months before and it was a great experience to stand exactly where he had been standing and try to imagine his thought process in the painting. The corn field and tree were in the fields around his studio. The night image is from a restaurant called Beast, desolate on a Saturday night after curfew.
Thanks for the great shows!
Beaverton, Oregon, USA
Shot on velvia 50 in a Fuji GSW690III. My first time shooting 35mm in a medium format camera. It was great fun, I will definitely be trying it again. My favourite is the sunrise shot over the sea. Next time I think I’ll try some faster film stock and a color negative film.
RRS 6×9 and Kodak 2254 – Something went wrong and I ended up with about 8 exposures on the same frame. I was pretty surprised by the results and even think they it actually worked out.
The colour pic of Droitwich canal was taken with an Agfa Clack box camera on fuji C200 film. The two sepia pics were also taken with the Clack but on Kentmere 100 one is of a memorial cross at Claines parish church near worcester and th second which is probably my favourite is the road bridge over the river Severn in Worcester city centre. The black and white pic was taken with a Holga WPC (wide pinhole camera) on Kentmere 400 again at Claines parish church.
Picked up a lovely red Sprocket Rocket to take on this challenge : ) Film is Ilford HP5 develop at home with the lab-box and cinestills df96 monobath. Pictures are different scenes from around my local town of Chapel Hill North Carolina.
Yikes, when did I last shoot 35mm? I’ve never shot sprockets before, but I read up online, and figured 35mm would fit nicely in an old Lubitel 166B from the early 80’s. I home-develop in Rodinal, so the film needed to be mono, and what they had in the shop was Ilford Delta 400, so that’s what I used. First time for this film. It wasn’t til after I loaded the camera that I read the bit about getting a count of how much winding on is needed, when there’s no numbers visible in the red window (the red window being shut, to protect the film, in the absence of backing paper). At it turned out, I got 13 exposures on my 36-exp roll. Plenty room for more, with less winding, but I was keep to avoid overlap. And I wasn’t too sure how much field of view, in either direction, would be caught on the firm – hence the framing is a bit iffy. The foggy field and the standing stone involved a 35-mile round trip by pushbike specially for the purpose, so they’re probably favourites – I like how the soft focus of the Lubitel works with the soft light. The trip to Loch Faskally was for the autumn colours, not so obvious here, but I wanted to get some people into my top four. Splash was taken from the dry safety of a parked car, out the window. All the negs came out a bit dark. Scanned with Olympus OM-D EM-1 ii, and tones adjusted in Lightroom. There’s plenty detail on the negs, with scope for some local adjustments too. Thanks to Al Clark, also in my part of Scotland, for sharing the post with the link to the Challenge. Would I do it again? Hell yeah!
All photos taken with ONDU pinhole cameras loaded with FPP Sprocket Hole Film.
The film is Svema color 125. The gravestone images were taken with the ONDU MkIII Multiformat using the 6×9 mask. Eastern Cemetery is in fact the oldest cemetery in Portland, Maine. Rusty Cow Girl and Sunflower Sprockets were taken with the ONDU MkIII 6×6 Pocket. They were taken at Pumpkin Valley Farm in Dayton, Maine during a portrait shoot with my daughter in and around the sunflower field.
I used the Lomography Sprocket Rocket Panorama camera for all of the images. The Spring Valley image was taken on Iford HP5 developed in Kodak HC-110. This is my favorite image of the bunch with the Bridge in the center and the blur on the sides, it looks like a dream. I have taken several images of that bridge but this one turned out to be the most unique one. All of the color shots were taken on Fuji’s 200 color print film developed in Cinestill C-41 kit. All against Matt’s advice of using a 400 speed film. I chose that film because I was using a flash at night on some of my images and did not want them washed out. However they were not worthy of the sprocket’s competition or damaging Matt’s eyes for life. I don’t know if I will use this camera again I preferred using the plastic pano over this one.
Hi there Matt!
I teach public high school photography and was on a photo tour in Greece when quarantine began. We hurried home and went into lockdown for weeks, but then we began to slowly and carefully do day trips out and about. I shot these at Gold King Mine & Ghost Town in Jerome, Arizona on a Holga modified to fit 35mm Lomography 800 film. I’ve modded my Holga before so had a pretty good idea what I was doing here. I like shooting the Holga or my Sprocket Rocket because they’re lightweight & give wild results. Developed at home in Unicolor & self-scanned. Minor digital edits.
My favourite is the old yellow race car. All of these are double exposed but I like how the car racing number is also floating above the car itself.
I’m not eligible to win, but here are my Sprocktastic entries! Taken on a Lomography Sprocket Rocket.